Model the audience.
Your seating chart defines the listening areas. We account for room depth, aisles, stage position, and changes in audience elevation.
Equipment and technical support for the teams producing the show.
Sound, lighting, video, and control systems designed around the people who use your space.
Event audio for presentations, brand experiences, galas, and live performances. Austin-based, with production support across Texas.
Plan your event audioEvery guest should be able to follow the presentation. Every presenter should feel ready to speak. And when the program shifts to music or entertainment, the audio should move with it.
We work with planners, DMCs, agencies, and corporate teams on the complete audio scope: system design, equipment, installation, soundcheck, and show operation. You bring the brief and the schedule. We help turn them into an audio plan your team can work with.

A gala can move from conversation over dinner to awards, speeches, and a full musical performance. We design the system to support those changes without losing clarity or overwhelming the room.
For your event, we plan for the whole program: presenter microphones, audience Q&A, playback, entertainment, and any recording or streaming feeds. Mic checks and rehearsals are part of the schedule, not something to squeeze in after doors open.
You don’t need to choose the gear. Explore the families we use and what each one contributes to an event.

We do more than position speakers. We study your room dimensions, stage location, and seating chart to understand where people will listen and where coverage needs extra attention.
For our L’Acoustics system designs, we use Soundvision to model the audience areas and predict sound coverage. Acoustical heatmaps help us compare speaker positions, aiming, and fills before load-in. The aim is clear, consistent sound throughout the seating area, with comfortable levels at the front and useful coverage at the back.


Drag to compare the room layout and sound coverage. Event scenery and seating are simplified for illustration.
Your seating chart defines the listening areas. We account for room depth, aisles, stage position, and changes in audience elevation.
We compare predicted levels across the audience and adjust placement, array angles, and fill locations to reduce uneven coverage.
The model informs the design. On site, we check and tune the deployed system, then run soundchecks and rehearsals before guests arrive.
Column systems can sit neatly alongside draping and scenic elements. We plan their placement around your seating, sightlines, and room layout so the system supports the event without dominating the space.

General sessions, town halls, training, awards, and breakout rooms. We account for presenters, audience questions, playback, and the people joining remotely.
A defined scope, a coordinated load-in, and an audio team that works with the venue and the rest of your vendors. We plan the transition from reception to program to entertainment.
Audio for launches, exhibits, activations, and hospitality spaces. Coverage and volume are planned around guest movement, conversations, neighboring spaces, and the content.
Artist inputs, stage monitoring, show playback, and feeds for recording or streaming. We coordinate with the production team so the room mix and broadcast needs are both addressed.
Concerts, festivals, and sporting events need a system designed for the audience area, the program, and the venue. We coordinate coverage, system placement, power, artist requirements, and the show schedule.
We select and configure the system around audience depth, seating layout, sightlines, and the program. Front fills and delay speakers extend coverage where the main system needs support.
